Other members were Augustus Egg, Alfred Elmore, William Powell Frith, Henry Nelson O'Neil, John Phillip and Edward Matthew Ward.
They have been described as “the first group of British artists to combine for greater strength and to announce that the great backward-looking tradition of the Academy was not relevant to the requirements of contemporary art”.
[1] Information about the activities of The Clique derives mainly from the reminiscences of Frith and a short essay published in The Art Journal in 1898 by Gilbert Imray, a friend of the group.
[citation needed] The Clique was characterised by their rejection of academic high art in favour of genre painting, following the precedents of William Hogarth and David Wilkie.
[citation needed] In the 1850s most members of the Clique became inveterate enemies of the Pre-Raphaelite Brotherhood, believing their art to be willfully eccentric and primitivist.