They are known for what Alternative Press calls "both the sloppy, slacker pop-punk of, say, early Green Day with the slightly more polished sheen of Teenage Bottlerocket or recent Bouncing Souls".

"[6] Leading up to their next full-length album, the band issued the No Knocks EP on Fat Wreck Chords, a release New Noise Magazine called "a continuation of the same great quality pop punk that The Copyrights have been delivering for over 12 years now.

"[7] In their review, Alternative Press stated the difficult task of writing catchy music is one "Illinois pop-punk four-piece the Copyrights have mastered throughout the past decade since their humble beginnings.

Referencing her personal connection to the original album in her review for Razorcake, Kayla Greet said "this re-imagining of one of my favorite records actually makes me like The Copyrights more.

[20] Several other notable punk acts feature members of The Copyrights: Guitarist Brett Douglas Hunter is also a burgeoning name in the Nashville art scene, where gallery owner Julia Martin told The Tennessean his work "evokes pure joy from everyone that comes in contact with it".