It has a fragmentary narrative without dialogue and depicts several people in Vilnius.
According to the director, the title symbolizes "the atmosphere of a corridor between yesterday and today, containing many doors".
[2] It won the Fipresci Prize at the 1995 Vienna International Film Festival.
[3] David Stratton of Variety wrote: "The camera lingers on various characters, including a youth played by the director, who just sit or stand about, looking miserable.
... Whatever Bartas was trying to communicate in The Corridor is difficult to determine, and maybe only the initiated can work it out.