[2] The painting depicts the death of the Italian Renaissance polymath Leonardo da Vinci, which took place in the Clos Lucé house, in Amboise, on May 2, 1519.

[5] Ingres made several alterations to the original wash drawing, including extending the format horizontally by adding a piece of paper on the left.

[6]: 121  Much like in Henri IV and The Spanish Ambassador, Ingres emphasizes several key Ultra-Royalist themes in this work: the alliance of the throne and the altar, the significance of royal virtues such as humanity and humility, and the Crown's generosity in supporting the fine arts.

[6] : 119 Leonardo's religious interests are symbolized by the draped table, handbell, missal, crucifix, and the monk depicted on the left side of the painting.

[6]: 123  A subtle tribute to Leonardo's quest for perfection is found in the small medallion across his chest, the King's Ordre de Saint Michel.