Starring Karl Urban, James Marsden, and Wentworth Miller, it also features Matthias Schoenaerts who reprises his role from the original film.

Dark Castle Entertainment originally acquired the US distribution rights, as they did for Splice, with the intention of releasing the film through Warner Bros.

When the body of a murdered woman is found in that loft, the men begin to suspect each other of having committed the gruesome crime, as they are the only ones with keys to the premises.

She seemingly tries to commit suicide at the loft by taking pills with champagne and is discovered by Luke, who calls Chris, Marty and Philip, showing them a note left for Vincent.

He takes some cocaine and cuts Sarah's wrists, using her bloodied finger to write a Latin phrase similar to that in her suicide note.

The detective further states that the pills did not kill Sarah, that her wrist cuts were not self-inflicted, the prints on the knife were Vincent's and they didn't find a suicide note.

Six months later, Mimi and Marty are reconciled, Philip is facing trial for manslaughter, and Chris is divorced, sharing custody of his children.

Chris mentions that he heard Anne left the city councilman, one of her clients as a prostitute, and she replies that he was not the only thing she gave up, implying that she's no longer in that line of work.

The website's critics consensus reads, "Populated with characters as unpleasant as its sleazy storyline, The Loft is uninhabitable for all but the least demanding erotic thriller fans.

[15] Jason Best of Movie Talk writes: "The plotting gets too clever by half towards the end, but with striking support from Rachael Taylor and Isabel Lucas this remains a slick and stylish whodunit.

"[16] Frank Scheck of The Hollywood Reporter praised the cinematography and said that "the film could well serve to encourage both extramarital affairs and the sale of upscale loft apartments".

[17] Joe Leydon for Variety writes: "Still, there can be no denying the interest and suspense Van Looy and scripter Wesley Strick generate during the opening scenes as they set the plot mechanics into motion.

"[18] Roger Moore for Tribune News Service called the film well-cast and said that Schoenaerts "provides some fireworks and the old-fashioned theatricality of it might appeal to some — even Hitchcock himself".