Wonder Woman (TV series)

[2] In 1942, during World War II, American pilot Major Steve Trevor (Waggoner) bails out during an air battle over the Bermuda Triangle, location of Paradise Island.

The games are held with participants wearing masks and numbers, shown as Roman numerals in triangles on white sleeveless short tunic-dresses.

Diana's uniform as Wonder Woman, designed by Queen Hippolyta, features emblems of America, the land to which she will be returning Steve Trevor.

Having defeated Marcia, Wonder Woman thwarts a Nazi pilot who had plans to bomb the Brooklyn Navy Yard by using her invisible plane, and she rescues Trevor.

With Marcia and the spy ring defeated, the film closes as Trevor and Brigadier General Blankenship talk about Trevor's new secretary whom Blankenship selected not only for her outstanding clerical test scores, but her decidedly plain appearance in contrast to Marcia: the bespectacled Yeoman First Class Diana Prince USNR(WR), Wonder Woman in disguise.

The theme song, written by composer Charles Fox and lyricist Norman Gimbel, was performed by John Bahler of The Ron Hicklin Singers.

Scripting duties were given to Stanley Ralph Ross, who was instructed to be more faithful to the comic book and to create a subtle "high comedy".

After an intense talent search that included Joanna Cassidy and future Charlie's Angels star Jaclyn Smith, twenty-three-year-old Lynda Carter was chosen for the lead role.

[6] Although the pilot followed the original comic book closely, in particular the aspect of Wonder Woman joining the military under the name Diana Prince, a number of elements were dropped.

Former Happy Days recurring actress Beatrice Colen joined the cast as Corporal Etta Candy WAAC, General Blankenship's secretary, thereby providing YN1 Prince with a subordinate.

The iconic explosion overlay most associated with the TV show was introduced after the third episode to mask the cut point between the Diana and Wonder Woman clips, meaning they no longer needed to be perfectly aligned.

While ABC continued to make up its mind, CBS agreed to pick up the series on condition that the setting be changed from World War II (the 1940s) to the modern day (the 1970s).

Princess Diana, aging slowly because of her Amazon nature, returns from Paradise Island after a 35-year absence (looking virtually the same) to become an agent with the Inter-Agency Defense Command (IADC), a CIA / FBI-type organization fighting crime, espionage, and the occasional alien invasion.

Diana, Steve and Joe Atkinson (Norman Burton), a weathered IADC agent, received their orders from a "Charlie's Angels-like" character who is heard but never seen.

The Atkinson character was dropped after the ninth episode of this season, and Steve was given a promotion, becoming IADC Director, and Diana's boss, in the process.

Towards the end of the season, in the episode "IRAC is Missing", a small mobile robot called Rover was added for comic relief.

For the second (and third) season, Wonder Woman's intonation sounded Southwest American, reflecting the region where Lynda Carter herself was born and raised (Phoenix, Arizona).

The theme song was re-written to remove references to the Axis, reflecting the series' new present-day setting, and the action depicted in the opening's animated comic book panels was similarly updated.

The producers of Wonder Woman generally maintained her no-kill policy, although there were exceptions: in the episode "Anschluss '77" she is forced to destroy a clone of Adolf Hitler.

Unlike in the first season, Wonder Woman's sources of power (magic belt, bracelets, golden lasso) were never removed from her and stolen by villains during the two years the series was set in the 1970s.

The bustier was more flexible, featured less gold metal in the eagle wings in favor of red cloth background, and was cut lower to highlight Carter's décolletage and cleavage.

The star-spangled bottoms were cut higher in the thighs, with the number of stars reduced, stopping below her hips, and rearranged in a more symmetrical starburst pattern.

Her tiara, appearing unchanged when on Wonder Woman's head, would flatten to become a boomerang, and its ruby star functioned as a communications link to Paradise Island and her mother the queen.

A diving uniform was introduced—this consisted of a navy-blue Lycra body suit with matching gloves, gold bracelets, flat boots, and a flexible tiara; this was featured whenever aquatic activity was required.

The title theme was re-recorded again to give it a disco beat, the use of the robot 'Rover' was increased for comic effect, and episodes began to revolve around topical subjects like skateboarding, roller coasters and the environment (Feld also gave Wonder Woman a "skate-boarder's" uniform, which was also capable of use for training in any "extreme sport" in which she participated).

In the final episode produced, the writers attempted a soft reboot by having Diana reassigned to the Los Angeles bureau of IADC with a new supporting cast.

CBS ultimately decided to move The Incredible Hulk up to the Friday 8:00-hour from 9:00 to introduce the new series The Dukes of Hazzard, but no further episodes of Wonder Woman were produced due to the lack of new cast members for a fourth season and low ratings.

WarnerMedia launched all 60 episodes on their HBO Max streaming platform on December 23, 2020, close to Carter's cameo appearance in the DC Extended Universe (DCEU) film Wonder Woman 1984, which was set for release two days later.

[14] Visiting the Wonder Woman universe and having Lynda Carter reprising her role again was discussed by showrunner Marc Guggenheim with Warner Bros. and DC Studios during development of the Arrowverse crossover event "Crisis on Infinite Earths" (2019–2020), but concluded that it wouldn't happen.

In 2015, Hallmark released a Wonder Woman Christmas ornament bearing the likeness of Lynda Carter that also plays the intro to the television theme song.

Lynda Carter as Wonder Woman
A stunt for the show being performed by Wonder Woman stunt-double, Kitty O'Neil.