Each sculpture takes the form of an imaginary and fantastic creature displayed on a wood mount in the style of a hunting trophy.

On Many have tried to classify Dr. Seuss's artwork, but there is no true consensus among critics on which school of art or movement he belongs to.

Although he was no longer working at the time the terms were coined, he can probably be best defined as a combination of early forms of maximalism and cute formalism.

All of his pieces also display a childish and playful nature, with a touch of femininity and a sense of ironic politeness, which leads to the assertion that he was a preemptive cute formalist.

This observation is particularly interesting because of the evident Oriental influence on Geisel's art, and both of these movements are centered in Eastern Asian culture (Chinese and Japanese, respectively).

Some have labeled Seuss's art as expressionist, but critics of this argument claim that his working style and ethics were not in-line with those of expressionism.

Expressionism is usually defined as the exaggeration or over-emphasis of shapes, forms, and colors to heighten emotional reaction.