[2] Louÿs claimed the 143 prose poems, excluding 3 epitaphs, were entirely the work of this ancient poet—a place where she poured both her most intimate thoughts and most public actions, from childhood innocence in Pamphylia to the loneliness and chagrin of her later years.

Although for the most part The Songs of Bilitis is original work, many of the poems were reworked epigrams from the Palatine Anthology, and Louÿs even borrowed some verses from Sappho herself.

The poems are a blend of mellow sensuality and polished style in the manner of Parnassianism, but underneath run subtle Gallic undertones that Louÿs could never escape.

And though Louÿs displayed great knowledge of Ancient Greek culture, ranging from children's games in "Tortie Tortue" to application of scents in "Perfumes", the literary fraud was eventually exposed.

In the first stage of her life, Bucolics, she falls in love with a young man but is then raped by him after he comes upon her napping in the woods; she marries him and has a child by him, but his abusive behavior compels her to abandon the relationship.

Ultimately, she and her beauty are largely forgotten; she pens her poems in silent obscurity, resolute in her knowledge that "those who will love when [she is] gone will sing [her] songs together, in the dark."

[2] While the work was eventually shown to be a pseudotranslation by Louÿs, initially it misled a number of scholars, such as Jean Bertheroy, who retranslated several poems without realizing they were fakes.