[11] The Atlanta Constitution noted Thomas's "river-deep gospel voice with the emotion-drenched sounds of classic soul.

"[10] The Globe and Mail wrote that "Thomas's voice has lost some of flexibility and it has deepened, but she still retains the ability to put over good material.

"[7] The Times Colonist opined that "Thomas is singing better than ever and lovingly caresses these wonderful songs with a rare intelligence and passion.

"[13] The Austin American-Statesman concluded that some "material veers toward the supper-club slick, though the all-star rhythm section ... never loses the groove.

"[14] The Boston Globe determined that the album "displays how a relaxed, mature artist can handle a range of material.