[1] Other artists also participated in the creation of the novel: costume designer Jasmina Ignjatović (women's costumes), painter and sculptor Jasna Nikolić (figure-concepts), art photographer Milinko Stefanović and graphic designer Rade Tovladijac.

Among his books left at her house the girl discovers his student card, which reveals to her that they do not even attend the same faculty.

In the autumn, the young man proposes to the girl that they prepare the exam together and she agrees, deciding not to mention her discovery about two of them attending different faculties.

When the child is born, his mother, as a repent for his father's sin, names him Jelen (Slavic word for "deer").

The Judgement of Paris takes place, with three goddesses in this version being three female prophets, and Pariž pronounces Venuša (Aphrodite) the most beautiful after she promises him Jelena (Helen), the wife of the emperor Menelauš (king Menelaus).

Meanwhile, Jelen is taken to the "Emperor City" (Constantinople) by his teachers, where he is shown four bronze horses "made in the time of Lesandar (Alexander)".

After that, Jelen sees how the Crusaders move the Horses of Saint Mark from Constantinople to Rome, and then a number of dramatic historical events from the future.

The story then turns to a contemporary newspaper article about one of the bronze horses being removed from their place at the St Mark's Basilica in Venice in order to go under a restoration.

Pariž declares that, at the end of his visions, Jelen saw "you [the reader], who are staring into this images believing you are not participating in the game".

During one winter, a poor Indian hunter has a vision of a woman (in the legend of Diego, the apparition was of Virgin Mary, but in this version she resembles an Aztec goddess).

Every time a murder happens; as the storyteller explains, it is quite often that someone kills his friend "in the moment of true intimacy".

In the huge and foreign city around me, among millions of inhabitants of Ciudad de México, there was no man who loved me.

[2] Serbian writer and critic Pavle Zelić in a review wrote: "Authors have, in a very precise manner, touched the spirit, the essence of the oneiric, entangled and then disentangled style, which attracted so many readers to Pavić' prose.

"[1] Journalist and critic Jelena Tasić wrote: "Done after the recipe of three colors – white, red and blue, stories themselves offer interpretation of their own spectrum, which as opposed to phrases of the enlightened, rational European thoughts on 'Liberté, égalité, fraternité', differ and come to persisting Balkan categories of future, present and past.

"[2] Painter, poet and essayist Slobodan Škerović wrote about the comic: "Mystical charge is not allowing a reader/watcher to unleash imagination but it takes him to the realm where quiet buzzing of instruments of art overcomes the need for unquestionably solid form of ordered existence.

"[3] He also wrote: "'Wedgwood's Tea Set' is a mythological quest for the meaning, told by a rich visual language and strict narrative suspense.

"[4] Journalist and writer Aleksandar Žikić wrote: "Coldness of colors is in accord with ethereal characters, who are more like symbols and using the rhythm of the prose sample.

American comic book artist, writer and editor Archie Goodwin described the album as a "truly visually brilliant graphic novel".

[2] Polish critic Artur Dlugosz wrote: "A sensual comic 'Wedgwood's Tea Set' of the duo Tucić and Stefanović, attracts with its colors and execution technique.

It is easy to get immersed into that wonderful story [...] Fluid storytelling takes us through new turnabouts of incredible love, describing the consequential attempts and heroically accepted defeats – as well as sudden punchline, which reveals a completely different side of story.