Rebecca is invited to understudy the famous movie star Simone Harwin in an off-Broadway production of Electra.

Accidents start to disrupt the leading ladies of Electra, and as Rebecca's star begins to rise, suspicion surrounds her.

Neil Genzlinger of The New York Times said, "The film’s downfall is its clumsy mix of serious drama and attempts at humor through tired theater clichés.

Its writers and directors, David Conolly and Hannah Davis, would have done better to jettison a few plotlines and make a movie with a consistent tone.

"[2] In The Village Voice, Andrew Schenker said the film "[refuses] to commit to being either a character-based ethical drama or a wicked showbiz satire".