[5] Their subjective[6] and personal approach to art writing has been labelled “embodied criticism” and incorporates emotional responses and overtly political analysis of artworks in an informal yet stylistically innovative style.

[2][7] Their curatorial work includes “Zayn Malik Zindabad”, a screening of moving image art by artists in the South Asian diaspora and “The Leaf of Pablo” at Hutt Collective, Nottingham.

[5] Since 2017, Muhammed and De la Puente have published their financial accounts on their website in an effort to help create transparency around industry pay.

They published social media posts focusing on the gallery network's ongoing relationship with Anthony d’Offay[8] and the display of a mural by Rex Whistler containing imagery in one of its restaurants that they perceived as racist.

[14][15][16] In 2023, they were part of the jury for the John Moores Painting Prize along with Alexis Harding, Chila Kumari Singh Burman, Marlene Smith and Yu Hong.