[2] Featured in the movie is "film director Maria Giese, who was a key instigator of the ACLU and federal investigations, has been a feminist activist in Hollywood since 2014, when she wrote an explosive article for Ms. magazine in which she observed that entertainment is the worst offender of Title VII employment anti-discrimination laws of any U.S. industry.

She casts a somewhat jaundiced eye on enterprises like Time’s Up, which was created within the Hollywood establishment to address workplace sexual harassment and assault, observing that it’s one of several collegial, inside-industry efforts undertaken to avoid legal action and government oversight.

Those threats have served as a sort of twin sword of Damocles, forcing studios, networks and agencies to do the right thing after decades of denying there was a problem".

Donahue, however, is the one who got it made and feels correctly that it is as much if not more important to open the eyes of men in this regard.”[10] In his Variety review, Peter Debruge writes, "There’s something to be said for solidarity shown by those who have nothing to gain from their support beyond the advancement of the greater good.

So, like white people at a Black Lives Matter rally or straight folks at a Gay Pride parade, Donahue deserves credit for proactively going out of his way to make a movie that tells it like it is — and paints it as it could be.