Thomas Feuerstein

Essential aspects are the interplay of linguistic, visual and molecular-processual elements, the detection of latent links between facts and fictions as well as the entanglement between art and science.

[3] At the border between nature, art and science, Feuerstein's works set in motion pataphysical cycles of the production of meaning and possibilities.

In contrast to historical pataphysics, machines, apparatuses and scientific methods are not only attributed metaphorical and symbolic meanings, but used for real processes.

For this purpose, he evolves a cybernetic demonology that, based on the Greek daimon, investigates cultural informatization from the Maxwell demon through server processes to big data and AI.

[15] An exemplary "patabiological" machine is the installation Pancreas, which feeds and nourishes glucose, extracted from the cellulose of books according to Hegel's Phenomenology of Spirit, to a culture of human brain cells.

[16] [17] In Prometheus delivered chemolithoautotrophic bacteria decompose a marble sculpture and in return nourish a culture of human liver cells.