Thought

Both episodic memory and imagination present objects and situations internally, in an attempt to accurately reproduce what was previously experienced or as a free rearrangement, respectively.

Counterfactual thinking involves mental representations of non-actual situations and events in which the thinker tries to assess what would be the case if things had been different.

In this context, thinking is associated with a sober, dispassionate, and rational approach to its topic while feeling involves a direct emotional engagement.

[18] In this sense, they are often synonymous with the term "belief" and its cognates and may refer to the mental states which either belong to an individual or are common among a certain group of people.

[25][26][27] On this view, the difficulty of thinking consists in being unable to grasp the Platonic forms and to distinguish them as the original from the mere imitations found in the sensory world.

[37][32][41] The reason for this is that processes over representations that respect syntax and semantics, like inferences according to the modus ponens, can be implemented by physical systems using causal relations.

[45] The traditionally dominant view defines computation in terms of Turing machines, though contemporary accounts often focus on neural networks for their analogies.

[41] This way it is possible to perform deductive reasoning following the inference rules of formal logic as well as simulating many other functions of the mind, such as language processing, decision making, and motor control.

[59][45] In this sense, computationalism is often combined with the language of thought hypothesis by interpreting these sequences as symbols whose order is governed by syntactic rules.

For example, it has been argued that the molecular movements in a regular wall can be understood as computing an algorithm since they are "isomorphic to the formal structure of the program" in question under the right interpretation.

[67] Induction is one form of non-deductive reasoning, for example, when one concludes that "the sun will rise tomorrow" based on one's experiences of all the previous days.

[78] It involves becoming familiar with the characteristic features shared by all instances of the corresponding type of entity and developing the ability to identify positive and negative cases.

[93] Because of this missing link to actuality, more freedom is involved in most forms of imagination: its contents can be freely varied, changed, and recombined to create new arrangements never experienced before.

A related problem is to explain how someone's propositional attitudes (e.g. beliefs and desires) can cause that individual's neurons to fire and his muscles to contract in exactly the correct manner.

However the apparently irresolvable mind–body problem is said to be overcome, and bypassed, by the embodied cognition approach, with its roots in the work of Heidegger, Piaget, Vygotsky, Merleau-Ponty and the pragmatist John Dewey.

It had its foundations in the Gestalt psychology of Max Wertheimer, Wolfgang Köhler, and Kurt Koffka,[120] and in the work of Jean Piaget, who provided a theory of stages/phases that describes children's cognitive development.

Cognitive psychologists use psychophysical and experimental approaches to understand, diagnose, and solve problems, concerning themselves with the mental processes which mediate between stimulus and response.

They study various aspects of thinking, including the psychology of reasoning, and how people make decisions and choices, solve problems, as well as engage in creative discovery and imaginative thought.

As a result of this interplay between assimilation and accommodation, thought develops through a sequence of stages that differ qualitatively from each other in mode of representation and complexity of inference and understanding.

That is, thought evolves from being based on perceptions and actions at the sensorimotor stage in the first two years of life to internal representations in early childhood.

[123] The "id", "ego" and "super-ego" are the three parts of the "psychic apparatus" defined in Sigmund Freud's structural model of the psyche; they are the three theoretical constructs in terms of whose activity and interaction mental life is described.

According to this model, the uncoordinated instinctual trends are encompassed by the "id", the organized realistic part of the psyche is the "ego", and the critical, moralizing function is the "super-ego".

For Freud, the unconscious was a repository for socially unacceptable ideas, wishes or desires, traumatic memories, and painful emotions put out of mind by the mechanism of psychological repression.

It is a part of the unconscious mind, shared by a society, a people, or all humanity, in an interconnected system that is the product of all common experiences and contains such concepts as science, religion, and morality.

[137][136] Thought experiments involve thinking about imaginary situations, often with the aim of investigating the possible consequences of a change to the actual sequence of events.

[141][145][144][143] It is controversial since there is a lot of disagreement concerning the epistemic status of thought experiments, i.e. how reliable they are as evidence supporting or refuting a theory.

[141][145][144][143] Central to the rejection of this usage is the fact that they pretend to be a source of knowledge without the need to leave one's armchair in search of any new empirical data.

[141][142] In the latter sense, sometimes counter thought experiments are proposed that modify the original scenario in slight ways in order to show that initial intuitions cannot survive this change.

[153] A concrete everyday example of critical thinking, due to John Dewey, involves observing foam bubbles moving in a direction that is contrary to one's initial expectations.

[157] But the effects also include the practical domain in that positive thinkers tend to employ healthier coping strategies when faced with difficult situations.

The Thinker by Auguste Rodin (1840–1917) in the garden of the Musée Rodin , Paris
Man thinking on a train journey