The episode was written and directed by James Roday Rodriguez and stars Jimmi Simpson, Mary McCormack, Shaunette Renée Wilson, Maggie Lawson, Stephanie Beatriz, Julianna Guill, Michael Weston, Amanda Walsh, Sophia Del Pizzo, Sutton Foster, and Cass Bugge.

The weekend of his ex-wife's remarriage, he drives to his family estate where he'll stay with a lone servant, the elderly Agnes (Nancy Linehan Charles).

One evening, a woman from across the canyon, Kara (Julianna Guill), stops by to say the power went out in the middle of their bachelorette party and asks to borrow some candles.

While jogging near his old treehouse the next day, Peter runs into Kara with her friends, including the bride-to-be, Marie (Shaunette Renée Wilson).

They threaten him in various ways, including Morgan pointing a crossbow aimed at his crotch and the others dressing him up in women’s clothing and makeup.

However, Gwen reminds Peter that he once raped her best friend Rebecca in the treehouse, revealing the reason for a bloody chess table and mattress next to the articles he saw in there earlier.

Initially believing yesterday's events were a nightmare, he receives a phone call from Kara warning him that he'll suffer if he ever hurts another woman again, followed by the burners suddenly erupting in flames.

Before Peter leaves, an Atlas Parcel Service delivery woman (Cass Bugge) he has never met greets him while delivering for the wedding and flashes the same Celtic tattoo that the bachelorette party women had while claiming that she is watching him.

The witchcraft was ordinary practical trickery and, with the help of Agnes, they drugged Peter's food to cause partial paralysis and hallucinations as well as using explosive charges and fake stakes to put on his hands.

[1] Alongside the announcement of the episode's premiere, it was confirmed that it would star Jimmi Simpson, Mary McCormack, Shaunette Renée Wilson, Maggie Lawson, Stephanie Beatriz, Julianna Guill, Michael Weston, Amanda Walsh, Sutton Foster, and Cass Bugge.

He praised the ensemble acting and the script's topicality, but criticized the directing and wondered whether the story shouldn't have been told from the women's perspective.