Trench art

Trench art is any decorative item made by soldiers, prisoners of war, or civilians[citation needed] where the manufacture is directly linked to armed conflict or its consequences.

Some items manufactured by soldiers, prisoners of war or civilians during earlier conflicts have been retrospectively described as trench art.

[2] In With a Machine Gun to Cambrai, George Coppard tells of pressing his uniform buttons into the clay floor of his trench, then pouring molten lead from shrapnel into the impressions to cast replicas of the regimental crest.

[citation needed] Wounded soldiers were encouraged to work at crafts as part of their recuperation, with embroidery and simple forms of woodwork being common.

Again from With a Machine Gun to Cambrai, George Coppard recalls that, while recuperating from wounds at a private house in Birkenhead, "one kind old lady brought a supply of coloured silks and canvas and instructed us in the art of embroidery.

An example of therapeutic embroidery during World War I is the work of British military in Egypt, who were photographed sewing and embroidering for Syrian refugees.

A shell case embossed with an image of two wounded Tommies approaching the White Cliffs of Dover
Chromed metal trench art ashtray made from a 25 pounder shell casing, 1942