In Old Norse sources, trolls are said to dwell in isolated mountains, rocks, and caves, sometimes live together (usually as father-and-daughter or mother-and-son), and are rarely described as helpful or friendly.
[2] The Prose Edda book Skáldskaparmál describes an encounter between an unnamed troll woman and the 9th-century skald Bragi Boddason.
According to the section, Bragi was driving through "a certain forest" late one evening when a troll woman aggressively asked him who he was, in the process describing herself: Old Norse: Anthony Faulkes translation: John Lindow translation: Bragi responds in turn, describing himself and his abilities as a skillful skald, before the scenario ends.
[5] Ármann highlights that the term is used to denote various beings, such as a jötunn or mountain-dweller, a witch, an abnormally strong or large or ugly person, an evil spirit, a ghost, a blámaðr, a magical boar, a heathen demi-god, a demon, a brunnmigi, or a berserker.
In connection, the lack of trolls and jötnar in modern Scandinavia is sometimes explained as a result of the "accuracy and efficiency of the lightning strokes".
[11] Additionally, the absence of trolls in regions of Scandinavia is described in folklore as being a "consequence of the constant din of the church-bells".
[15] In Norwegian tradition, similar tales may be told about the larger trolls and the Huldrefolk ("hidden-folk"), yet a distinction is made between the two.
The use of the word trow in Orkney and Shetland, to mean beings which are very like the Huldrefolk in Norway, may suggest a common origin for the terms.
[16] John Arnott MacCulloch posited a connection between the Old Norse vættir and trolls, suggesting that both concepts may derive from spirits of the dead.
The Danish artist Thomas Dambo has created from recycled wood a series of monumental troll sculptures that can be seen in several botanic gardens and similar installations.