Among the demo recordings were also "Berlinski čovek" ("Berlin Man") and "Prijatelj da budeš" ("Be a Friend"), featured in the 1987 compilation Les Phantoms De Nuit (Phantoms of the Night) released by Phantom Tapes, an underground label run by Predrag Petrović and the song "Bila je nežna kao cvet" ("She Was as Gentle as a Flower") appeared on the Produkcija Pogledi compilation U Jugoslaviji sve je dobro (In Yugoslavia Everything Is Fine).
It was at that time that the band decided to add a bass player, Dragan Cvetanović "Ceja", also from KBO!, with whom the band recorded their fourth album Plakao sam kad je pala Sekuritatea (I Cried When the Securitate Had Fallen), recorded at the Male Pčelice Studio on September 17 and 18, 1992.
[2] The album featured politically explicit songs "Zašto me mrziš što volim Šešelja" ("Why Do You Hate Me for Loving Šešelj") and "Rodi mi gomilu debila" ("Deliver Me a Bunch of Morons"), and cover versions of Bajaga i Instruktori song "Tišina" ("Silence") but with altered lyrics, entitled "Alkoholičarka" ("Alcoholic Girl") and "Ti" ("You") which featured music taken from a Bad Religion song.
The band released their sixth album Pogled u nebo (A Look at the Sky) in 1994 featuring ten songs, including a cover version of Piloti track "Kao ptica na mom dlanu" ("Like a Bird on My Palm") with altered lyrics, entitled "Kao pile na mom panju" ("Like a Chicken on My Stump").
In 2009, Drčelić left the band, being replaced by Pakost i Ukor Gladne Godine vocalist Miloš Topalović "Topalko".