Tulip Period

Under the guidance of Sultan Ahmed III's son-in-law, Grand Vizier Nevşehirli Damat İbrahim Pasha, the Ottoman Empire embarked on new policies and programs during this period, which established the first Ottoman-language printing press during the 1720s,[2] and promoted commerce and industry.

The Grand Vizier was concerned with improving trade relations and enhancing commercial revenues, which would help to explain the return to gardens and the more public style of the Ottoman court during this period.

[7] The return of the sultan's court to Istanbul – after a period of residence in Edirne in the late 17th century – resulted in renewed building activity in the capital.

Ahmed III’s grand vizier, Nevşehirli Damat Ibrahim Pasha, was in large part responsible for stimulating this construction and restoration activity.

[10][11] It was located at Kâğıthane, a rural area on the outskirts of the city with small rivers that flow into the Golden Horn inlet.

This overall design probably emulated French pleasure palaces, following the descriptions of Paris and Versailles brought to the sultan's court by Yirmisekiz Çelebi Mehmed Efendi in 1721.

[12][13] In addition to his own palace, the sultan encouraged members of his court to build their own pavilions along the canal, while the regular inhabitants of Istanbul also used the surrounding area as a recreational ground for excursions and picnics.

Courtiers at the time forwarded a petition to denounce the practice of flower sellers, whom they perceived to be taking advantage of the elite by raising the prices of the bulbs.

The Fountain of Ahmed III is an iconic example of Tulip Period architecture
Drawing of a tulip by Abdulcelil Levni (1720)