[2] Wade-O Radio explains that over the next few decades, the Tunnel Rats "expanded and contracted through nearly three 'generations'," and shifted from a heavy California focus to include artists from Boston, Texas, and New York City.

[2] Cross Rhythms noted that the album features tracks "either written or collectively delivered" by Dokument, Macho, Jamie, Propaganda, Raphi, Zane, Dert, Griffin, Elsie, Theresa Jones, Sev Statik and New Breed.

[2] Andree Farias of Christianity Today described the album's overall sound as a combination of "cerebral hip-hop groups like Jurassic5 and MarsILL, plus the fun-based approach of L.A. Symphony and pre-Elephunk Black Eyed Peas.

"[2] Both Farias and Gilbert considered the production more varied than on previous releases, as it features a more mainstream sound with occasional string sections, and sometimes draws from old school, underground, Latin, and synthpop influences.

"[2] He concluded that "This is the group's definite magnum opus, an effort where not only lyricism and scintillating rhythms collide, but where also faith and an unflinching heart for ministry resound with more clarity than ever before.