"[3] Russ Breimeier of Christianity Today described the Tunnel Rats' style as "modern hip-hop that blends melodic hooks and world music sounds to the rap and beats.

"[4] Breimeier cited "Motivate" as an example of Tunnel Rats' innovative sound, as the song blends "rapid machine-gun rapping with a Latin-sounding melodic hook, smartly programmed drums, and (get this) a harpsichord.

"[4] Breimeier also referenced "Sev Statik", which bathes its sound in strings and Middle Eastern instruments, and "Ladies", which "tackles biblical feminism with the same spirit that Salt n' Pepa brought to the topic years ago.

[5] Jason Birchmeier of AllMusic rated the album three stars out of five, stating that it highlights the Tunnel Rats "anti-commercial approach to hip-hop, showcasing intelligent rhymes, creative beats, and original songwriting.

"[6] CCM Magazine's Anthony DeBarros rated the album three-point-five out of five, concluding that "The self-referential braggadocio wears thin after a while, but not enough to dull this otherwise fine piece of art.

[5] Tony LaFianza of The Phantom Tollbooth rated the album four-point-five out of five, stating that "These 22 tracks of seriously inventive music and reality, put Tunnel Rats on the point of hip hop, and make Tunnelvision the best rap record of the year.

"[1] Young highlighted the tracks "T.R.z", "For the Heads", "Bow Down", and "Chainge" as examples of Dert's excellent production, and stated that LPG, a duo consisting of Jurny and Dax, provide the backbone for the group.

[1] Young lavished praise on female rappers Zane and Elsie, stating that they "are two of the most talented women I have ever heard bless the mic, and they make me realize what a shame it is that Lil' Kim and Trina's ilk are so much more famous.

[4] Breimeier also appreciated how the album challenged the artistry and originality of Christian artists, while simultaneously criticizing the lack of integrity and ethics in mainstream music.

[8] Nibokun wrote that the turbulent sound on Tunnel Vision "embraced everything that the conservatives hated" and "was a musical middle finger to anyone who found their battle-rap bravado sinful.