Publishing poetry by both black and white writers working, predominantly in English but also in Ndebele and Shona, it challenged divisions and created a new open field for expression in divergent poetic voices and styles.
[1][2] While the magazine was published in association with the National Arts Foundation of Rhodesia[3] and the University of Rhodesia's English Department the selection process was left to the journal's rotating board of editors, whose focus on "good writing," "technical skill," "stylistic innovation" and "authentic expression" provided a foundation for much of the groundbreaking new literature that exploded in Zimbabwe in the 1970.
[1] Two Tone prioritised the author of the imagination rather than the revisionist historian or political revolutionary - a position which became increasing tenuous during the oppressive years of the Ian Smith regime.
The antagonism was only exacerbated by the publication of defensive editorials which argued that "separatism and elitism" create the assurances of liberty to "foster imaginative literature."
Despite the controversy, the journal's legacy is secured through the writing of seminal contemporary Zimbabwean poets such as D. F. Middleton, Julius Chingono, Charles Mungoshi, Bonus Zimunya, John Eppel, N. H. Brettell and Patricia Schonstein, all of whom began their literary careers on the pages of Two Tone.