Justo also calls attention to the fact that the store owner (a Spaniard whose accent is almost incomprehensible) pays Isidro only forty pesos a week, which he argues is far from being what establishes the law.
In another case, Justo also helps Sara Buenrostro (Susana Salvat), a young widow who wants to take her daughter away because she works as a nightclub dancer.
The shame, combined with the fact that Justo had gotten Mrs. Buenrostro another job as a telephone operator, causes the demand to be withdrawn, and the young mother keeps her daughter.
The same judge who presided over the case of Mrs. Buenrostro asks Justo to go find his son, who has left the home to devote himself to the hippie lifestyle.
Justo berates the young people in jail, criticizing their lack of love for work, telling them "you want to be free, yet you are becoming slaves of your own vices."
In Cantinflas and the Chaos of Mexican Modernity, Professor Jeffrey M. Pilcher stated that the film was the second time where Cantiflas "denounced the local counterculture" by showing his character "in a nightclub filled with drugged-out beats" (after El señor doctor), stating in regards of the scene where his character berates a group of hippies in jail that "in berating the jipitecas for smoking dope instead of working, Moreno reversed the roles of his early movie, Ahí está el detalle, conceding to them the carefree younthful spirit of Cantinflas while he became the stodgy establishment figure played by Joaquín Pardavé [in Ahí está el detalle].
While venting his wrath on middle-class youth, he also lost touch with the changing reality of the urban poor, always his most loyal audience.