[6] After four commercially unsuccessful albums, the Nevilles brought in outside writers, producers, and musicians, including Jerry Garcia, Branford Marsalis.

"[4] Robert Christgau thought that "between adult themes, solidly insinuating tunes, uncommonly grizzled vocals, and faint indigenous lilt, what we have here is a pretty damn good [Contemporary Hit Radio] album.

"[11] The Globe and Mail considered that "the long-term pleasures come from Art Neville's rock steady keyboards and growling voice.

"[14] USA Today thought that "the undistinquished playing offers little of the funky fire that has made the Nevilles New Orleans' top rhythm band.

"[15] The Star Tribune opined that, "at best, this slick production evokes vintage Tower of Power with a Southern accent; at worst, it's as bland as the made-for-radio barroom-rock 'n' soul of Huey Lewis.