Described on the band's official site as "somewhat experimental ... a futuristic hip-hop/country-rock hybrid",[1] and by lead singer and songwriter Eric Earley as "hillbilly gangster",[2] VII was the first record Blitzen Trapper released with their new labels, Vagrant (US) and Lojinx (UK).

And that’s going to make its way into the music.”[4] Earley cites his influences on the album as diverse as John Cale, Townes Van Zant, the Wu-Tang Clan and Waylon Jennings.

An enthusiastic review by Paste magazine calls the record "Blitzen Trapper’s strongest album to date, with years of musical experimentation having come together in the band’s own mad-scientist brand of cosmic Americana ... With each record, Earley’s writing grows more vivid, closer to the short-story-in-a-song realm of the Drive-By Truckers, Vic Chesnutt and Jason Molina at his most direct ... Musically, Blitzen Trapper is less idiosyncratic but no less unique.

The harmonica bleats, walking bass line, and vivid imagery are familiar, but it’s still good to hear the band fire up their Stevie Wonder stomp again.

"[6] AllMusic praised the album for "[adding] elements of countrypolitan and suburban hip-hop into the pot, seasoning [Blitzen Trapper's] already heady brew with a little North Mississippi Allstars and Odelay-era Beck, especially on cuts like 'Feel the Chill' and 'Ever Loved Once,' resulting in a sort of cosmic, high-def honky tonk that for the most part proves tasty, injecting some much needed brevity into windy frontman Eric Earley's colorful yet often perfunctory tales of sin and redemption.