Zaryan moved to the Paris Opera, where he studied classical dance with Yves Casati, and Decroux technique with Yvan Bacciocchi at the Studio of Belleville.

Zaryan was an intern and took graduate courses with Ariane Mnouchkine, Carolyn Carlson, Robert Wilson, Marina Abramović, Romeo Castellucci, Krystian Lupa and Maurice Béjart.

Zaryan also interpreted, to critical success, the role of "Vespone" in the Pergolesi opera, La Serva Padrona at the Theater of the Tambour Royal in Paris.

[6] He has recently collaborated with contemporary composers such as Maël Bailly, Vincent Trollet, Januibe Tejera, Juan Arroyo and Farnaz Modarresifar.

This notion is invented and developed by Vahram Zaryan and his collective, in 2005, to think and create a contemporary approach of miming even more as a new discipline of this classical genre.

It toured in Europe; in the United States at New York City's Richmond Shepard Theatre; and in Russia at La Tete en Bas.

Passionate about sharing his art and transdisciplinarity, his research on contemporary theater, Non-Mime and Music communicates with the creation of the piano/performance duet elaborated with the pianist Maroussia Gentet within the framework of Collectif Géoïde.

Vahram Zaryan created a video art performance during Melik Ohanian's "Stutterig" exhibition at the CRAC de Sète at Galerie Chantal Crousel in Paris in 2015.