Vakeel Saab

It is a remake of the 2016 Hindi-language film Pink and stars Pawan Kalyan, Nivetha Thomas, Anjali, Ananya Nagalla, Prakash Raj, and Shruti Haasan.

The local police, aware of Vamsi's powerful connections through his father, MP Korentla Rajendra, discourage the women from filing a complaint.

The next day, Pallavi is kidnapped by Vamsi's friends, who threaten, blackmail, and molest her in a moving car before dropping her back home, leaving her traumatized.

Satyadev criticizes societal double standards that label women as immoral for behaviors that are acceptable for men, emphasizing that "no means no" regardless of context.

After the case, Satyadev resumes his legal career to help ordinary people, Zareena regains her job, Pallavi gets engaged, and Divya moves into her newly constructed home.

Venu Sriram began working on the Telugu remake of Pink (2016) after his project with Allu Arjun, Icon, was put on hold.

This would mark Kalyan's return to acting after a hiatus due to his political campaign in the 2019 Andhra Pradesh Legislative Assembly election.

[12][13] The team decided to approach Shruti Haasan and Ileana D'Cruz to appear for a cameo role, essaying the character of Kalyan's wife in the film.

[18] In the end of February 2020, shooting of the film took place at Annapurna Studios with intense scenes being shot on Pawan Kalyan and Prakash Raj.

[28][29] The film's soundtrack features five tracks composed by S. Thaman with lyrics written by Ramajogayya Sastry and Suddala Ashok Teja.

[37][38] The song is picturised on Pawan Kalyan, whom being portrayed as a do-gooding lawyer who fights on behalf of the innocent, unprivileged and weaker sections of society.

[39] The third song "Kanti Papa" released on 17 March 2021, is played during the flashback portion featuring the romance track between Kalyan and Shruti Haasan.

[56][58] Phars Film bought the distribution rights for United States which planned to screen in more than 700 theatres on 8 April, a day before the Indian release.

[59] Trade analyst Taran Adarsh announced through Twitter, stating that Panorama Studios acquired the distribution rights for the film in North Indian theatres.

[63] However, as the authorities denied permission for the promotional activities of the film citing surge in COVID-19 cases,[64] the team decided to shift the venue at Shilpakala Vedika in Hyderabad on 4 April.

In early April 2021, the Andhra Pradesh High Court ruled that ticket prices for the film Vakeel Saab could be increased for the first three days.

[73][3] The Times of India critic Neeshita Nyayapati called Vakeel Saab a "courtroom drama with a generous dose of masala."

On performances she noted that Nivetha, Anjali, and Ananya were "remarkable," Kalyan was at his best for the courtroom proceedings and Prakash Raj aced the role that requires him to be truly sinister.

[76] The Indian Express journalist Manoj Kumar R opined that director Sriram and Kalyan honoured the main subject and the message of the original film.

[77] A reviewer from Deccan Chronicle rated the film 3/5 and stated that the remake stays "true to the original" and the star cast delivered on their performances.

[78] Haricharan Pudipeddi in his Hindustan Times review compared the film with the other versions of the story (Pink and Nerkonda Paarvai) and opined that Vakeel Saab is "more massy and lightweight.

"[79] In a review for Telangana Today, L. Ravinchander wrote that Vakeel Saab is a mixed bag and added, "This court room drama has punch but a great opportunity to make a masterpiece goes abegging.

"[80] Film Companion's Karthik Keramulu felt that the flash back episode took central focus away from the story of Pink but the court scenes featuring Kalyan and Prakash Raj were hotter than the original.

She wrote that there might have been better ways of changing the script to venerate the star while staying true to the spirit of the story but alteration of several striking scenes from the original diluted the point they made.

[88] Taran Adarsh through his Twitter account, reported that the film collected a gross of A$211,857 and NZ$19,220 at the Australian and New Zealand box offices in the first two days respectively.