Huidobro met and mixed with most of the Parisian avant garde of this period: Pablo Picasso, Juan Gris, Jacques Lipchitz, Francis Picabia, Joan Miró, Max Ernst, Paul Éluard, Amedeo Modigliani and Blaise Cendrars.

That same year he published Horizon carré, including poems previously shown in "El espejo de agua" translated to French with the help of Juan Gris.

In Madrid, Vicente met with Robert and Sonia Delaunay, refugees in Spain, and resumed his friendship with Rafael Cansinos-Assens.

That same year, he took some science classes and became interested in esoteric subjects like astrology, alchemy, ancient Kabbalah among other forms of occultism.

While in Paris, he worked with Amédée Ozenfant and Le Corbusier (Charles-Édouard Jeanneret-Gris) at L' Esprit Nóuveau, a magazine directed by Paul Dermée.

The magazine featured a Lipchitz sculpture and paintings by Georges Braque, Picasso, Juan Gris and Albert Gleizes.

In December he presented his famous lecture, La Poesía (Poetry), which served as prologue to his works Temblor de Cielo (Tremor of Heaven), and "Saisons Choisies" (Chosen Seasons).

[6] The next year, Huidobro presented his theory of "Pure Creation" at "Branche Studio" in Paris, and then in Berlin and Stockholm.He wrote for the Polish magazine "Nowa Sztuka".

[7] Huidobro continued with his diverse artistic activities in Europe, producing the third edition of "Création", where he published his "Manifeste peut-être" (Maybe Manifesto).

He joined the French Masonic Lodge and met Spanish philosopher and writer Miguel de Unamuno, who was exiled in Paris at the time.

Diario de Purificación Nacional" (Action: Journal of National Purification) a political newspaper where he criticised the state and reported fraudulent activities.

He started another newspaper, "La reforma" (Reform), in a symbolic gesture, young supporters of the progressive party declared him as their candidate for president.

While in Chile, he wrote for the publications "Andamios", "Panorama" and "Ariel" and published "Automne Régulier" (Regular Autumn) and "Tout à coup" (Suddenly).

The same year he published "Portrait of a Paladin" and the English versions of his "Mío Cid Campeador", "Temblor de Cielo" and "Altazor".

Once back in Chile, he published the prose poem "Fuera de aquí" (Out of Here), arguing against Italian fascism and the Italian military (who were visiting Chile at that time), as well as the poem "Gloria y Sangre" (Glory and Blood) in "Madre España: Homenaje de los poetas chilenos" (Mother Spain: Tribute of the Chilean poets).

In November of that year he traveled back to Europe and made a stop in Montevideo, Uruguay to give a lecture on "Introducción a la poesía" (Introduction to Poetry).

In 1946 he settled in Cartagena, a seaside town in central Chile, and published a new edition of "Trois Nouvelles Exemplaires", with text written in collaboration with Jean Arp.

[10] Huidobro wrote over thirty works, including books of poetry and poetic narrative, of which more than a dozen were published posthumously.

(1998) by Puerto Rican poet Giannina Braschi features a debate about creators and masters of Spanish and Latin American poetry, including Huidobro, Luis Cernuda, Alberti, Vicente Aleixandre, Pedro Salinas, and Jorge Guillén.