[1] The third movement owes its nickname "La Campanella" or "La Clochette" to the little bell which Paganini uses to presage each recurrence of the rondo theme.
The bell motif is also imitated in the orchestra and in some of the soloist's passages featuring string harmonics.
The outcome is a very transparent texture, with the rondo theme having hints of musical qualities associated with Romani music.
This movement has served as the basis of compositions by other composers, such as the Étude S. 140 No.
The concerto is in three movements: In addition to the solo violin, the work is scored for 2 flutes, 2 oboes, 2 clarinets in C, 2 bassoons, 2 horns in D, 2 trumpets in E, 3 trombones, serpentone (now usually performed on tuba), timpani, bass drum, bell in F#, and strings.