Gallini made it a personal crusade to find the missing part, and eventually it was located in a collection of music which had belonged to Giovanni Bottesini, the famous Italian double-bass virtuoso.
6 consisting of a six-note melody, played by the viola and violin sections, punctuated by strong and syncopated lower-octave accents by the remainder of the orchestra.
The loud and strong fifteen-second statement is followed by a brief respite where the strings play smoothly with sublime qualities incorporating string-plucking (a now-popular technique made famous by Paganini).
After two repetitions of these contrasting segments with slight variations, the soloist enters boldly and alone, expounding upon the main theme with ascending arpeggios requiring great virtuosity.
Without compromising feel, melody, or the contiguous nature of the music, Paganini has already blended strength, passion, and technical wizardry in less than ten seconds of this solo passage.
After an interplay with the orchestra, the 2nd solo opens with a chromatic sequence using the raised 4th and descends using the 'b' natural note creating a Spanish flavor in the key of A minor.
Implementing all of the aforementioned techniques, as well as diminished arpeggios, the rapid-fire bowing of broken chords, and left-hand finger plucking, the soloist is finally joined by the rest of the "band" for a galloping climatic conclusion.