[2] In 1958, Vittorio Baglioni entrusted a new reconstruction to Federico Mompellio on behalf of the Accademia Musicale Chigiana, and in September 1959, the concerto received its premier performance.
The success of this performance induced Gulli to present the concerto in many European cities.
According to his custom, Paganini omits the Trio in the finale, since the soloist is limited here to purely virtuoso passages, evidently the composer had intended that the orchestra should play the theme.
The first movement is in sonata form and alternates between A minor and A major, and starts with a very long orchestral introduction preceding the solo voice, reminiscent of Chopin's Piano Concerto No. 1.
The second movement is a slow and mournful andante, beginning in E minor and finishing in E major.