Names for this particular subject in other languages include: In the 13th century, Jacobus de Voragine incorporated apocryphal accounts from the Protoevangelium of James regarding the parents of the Blessed Virgin Mary in his Golden Legend.
Saint Anne was recognized as the patroness of grandparents, women in labor, and of miners, Christ being compared to gold, and Mary to silver.
Saint Anne was revered as the avia Christi ("grandmother of Christ"), matriarch of the Holy Kinship and exemplary mother.
[20] Eastern depictions of the apocryphal narrative mimic the scriptural account of the annunciation of the Archangel Gabriel to Mary and take the form of a reclining Agios Joachim beside a double-vesicled fountain or well,[21] implying Mary's perpetual virginity flows from the mystery of her Immaculate Conception in the womb of her mother Agia Anna in linear fashion conform with Eastern creedal statements on the procession of the Holy Spirit.
Absent modern meteorology, and therefore the scientific knowledge of how surface water is replenished naturally by atmospheric moisture, the early Christian artist was limited by linear symbolism of gravity known in the topography of the region.