He wrote film scores for Suite Sixteen (Dominique Deruddere) and The Pillow Book (Peter Greenaway);[2] toured the world with his ensemble Maximalist!

and wrote and performed for theatre and ballet (amongst others Anne Teresa De Keersmaeker,[3] Wim Vandekeybus,[4] Roxanne Huilmand, Needcompany,[5] Bud Blumenthal, Discordia, Beukelaars, Kortekaas, Ritsema).

He was commissioned by a number of music institutions and festivals, such as the Kaaitheater [fr], deSingel, the Beursschouwburg [nl], Automne en Normandie [fr], Festival van Vlaanderen, Antwerpen '93, Happy New Ears, Vooruit, Felix Meritis, Hebbel Theater and the Rode Pomp [nl].

Recent works include four String Quartets ("La Théorie", "Le Désir", "Le Miroir" and "La Folie")[6][7] and their symphonic transcriptions; chamber music for various combinations of instruments; music for choir and wind-ensembles; one Violin Concerto; one Piano Concerto; solo pieces; two song cycle; a children's opera ("de Nacht"); "Orfeo", an opera[8] His trilogy of operas ("Meneer, de zot & tkint"[9] / "Bloetwollefduivel"[10] / "Titus Andonderonikustmijnklote"[11]), lyrics by Jan Decorte, toured in Belgium and other European countries and were described as "masterpieces of stilistic venom [...] flawless little lessons in opera eshthetics"[12] He composed a cycle of twenty-four preludes and fugues in four volumes, for multiple combinations of instruments.

He started transcribing sheet music for Decap's new instruments in the early 2000s and "fell completely in love with the whole instrumentarium and saw far greater potential in it".