[1] BrooklynVegan's Bill Pearis wrote that this release "sounds more like it was made by a full band and not just baritone saxophonist Joe Henwood and drummer Tash Keary" and that it manages to "incorporate... everything from doom metal and blast beats to jungle breakbeats and free jazz freakouts".

[3] Nick Roseblade of Clash Music gave this release an 8 out of 10, praising the live-to-tape energy on the recording and summing that it "is one of the finest debut albums I've heard in a LONG time".

[4] Writing for DIY, Jack Butler-Terry rated WeirdOs 4 out of 5 stars, stating that "jazz, punk, jungle and dance all cavort together with a healthy respect for one another; nothing is snuffed out or overpowered, even when everything seems to be played with incomparable energy and passion" on an album that "drips with irresistible swagger".

[5] Dominic Haley of Loud and Quiet scored this album an 8 out of 10, pointing out the place that saxophone has in popular music and stating that this music includes influences and sounds as varied as SEGA video game soundtracks, Limp Bizkit breakdowns, cosmic jazz, and Black Sabbath.

[7] The staff at Pitchfork shortlisted this as one of the best albums of the week[8] and the editors of the site rated this release a 7.3 out of 10, with critic Ryan Leas calling the recording "a testament to Keary and Henwood's fearlessness and dexterity".