Thinking her dead and knowing that calling the cops would only land them in jail the pair decide to bury her in the boiler room of the closed drive-in theater where Royce used to work.

Their plan is to resurrect Jason Taylor (hippie turned reluctant but rich Internet entrepreneur and Abel's unwitting hero) out of his coma.

After safely stowing Mattie in Dexter's apartment, the boys run into Omar and his beefy sidekick Garry, who deliver a few swings of a curling stone and an ultimatum — debt (plus interest) paid by last call or he will severely injure the pair.

With a few unexpected bumps along the way, such as running into, accidentally knocking out and then getting high the nephew of Taylor, who was housesitting, Dexter and Royce successfully manage to steal the safe.

Joe Leydon of Variety wrote: "Deconstructionists will delight in divining the influences that inform Weirdsville, a cleverly constructed, capably crafted and often uproarious shaggy-dog black comedy that riffs on everything from Trainspotting and Quentin Tarantino to Race With the Devil and Elmore Leonard.

Nimbly directed by Allan Moyle, this Canadian-produced potential sleeper could command an even larger cult following than the helmer's enduringly popular Pump Up the Volume.

"[5] Stephen Farber of The Hollywood Reporter wrote: "Director Allan Moyle has described Weirdsville as a Canadian Trainspotting, which is a bit of wishful thinking... it lacks the inventiveness and biting edge of Danny Boyle's landmark movie" and while the film "has some quirky pleasures, it seems unlikely to achieve either major cult status or boxoffice success.

"[6] Rich Cline gave the film 4 out of 5 stars and said "this absurd crime odyssey has so much gonzo enthusiasm that it's impossible not to enjoy watching these crazed characters bounce off of each other" and said "the actors are hilariously charming, delivering scruffy, lively performances as a bunch of knuckleheads trying desperately to get out of a mess that gets more and more tangled.