[8] "Bring Me the Head of David Geffen", a song that appeared on advance copies of the album, was pulled right before the official release.

[11] Trouser Press wrote that "the playing is crisp and perfunctory country-rock; instrumental accuracy is thoroughly wasted on (if not toxic to) a vocalist this instinctual... Fortunately, Mojo is in credibly foul form, and has enough solidly entertaining originals to make his own party happen.

"[14] The Washington Times considered it "a blues-country mix that sounds like Muddy Waters and Ernest Tubb together on a bad hair day.

"[16] The San Diego Union-Tribune noted that "Nixon has assembled a ruckus of a band that can swing and swagger along to his fabulously gruff, shag carpet of a voice.

"[7] The Richmond Times-Dispatch labeled Nixon "the record industry's most beloved degenerate," writing that the album is "as politically incorrect as ever.