Gondor

Gondor is a fictional kingdom in J. R. R. Tolkien's writings, described as the greatest realm of Men in the west of Middle-earth at the end of the Third Age.

After an early period of growth, Gondor gradually declined as the Third Age progressed, being continually weakened by internal strife and conflict with the allies of the Dark Lord Sauron.

Based upon early conceptions, the history and geography of Gondor were developed in stages as Tolkien extended his legendarium while writing The Lord of the Rings.

Critics have noted the contrast between the cultured but lifeless Stewards of Gondor, and the simple but vigorous leaders of the Kingdom of Rohan, modelled on Tolkien's favoured Anglo-Saxons.

The hot and dry region of South Gondor, or Harondor was by the time of the War of the Ring "a debatable and desert land", contested by the men of Harad.

[T 19] To the northeast, the river Anduin enters the hills of the Emyn Muil and passes the Sarn Gebir, dangerous straits, above a large river-lake, Nen Hithoel.

Its entrance was once the northern border of Gondor, and is marked by the Gates of Argonath, an enormous pair of kingly statues, as a warning to trespassers.

Between the two hills is a rocky islet, Tol Brandir, which partly dams the river; just below it is an enormous waterfall, the Falls of Rauros, over which Boromir's funeral-boat is sent.

It was dry throughout the centuries that Gondor was ruled by the Stewards; Aragorn brought a sapling of the White Tree into the city on his return as King.

[T 20] Prince Imrahil's castle is by the sea; Tolkien described him as "of high blood, and his folk also, tall men and proud with sea-grey eyes".

Isildur's remaining son Valandil did not attempt to claim his father's place as Gondor's monarch; the kingdom was ruled solely by Meneldil and his descendants until their line died out.

[T 17][T 40] In the War of the Ring, the forces of Gondor, led by Aragorn under the alias Thorongil, attacked Umbar and destroyed the Corsair fleet, allowing Denethor II to devote his attention to Mordor.

Elrond rebuked him, explaining the danger of such use, and instead, the hobbit Frodo was made ring-bearer, and a Fellowship, including Boromir, was sent on a quest to destroy the Ring.

The hobbits Frodo and Sam travelled through Ithilien, and were captured by Faramir, Boromir's brother, who held them at the hidden cave of Henneth Annûn, but aided them to continue their quest.

[T 44] Aragorn summoned the Dead of Dunharrow to destroy the forces from Umbar, freeing men from the southern provinces of Gondor such as Dol Amroth[T 11][T 12] to come to the aid of Minas Tirith.

He spoke "words of power" as the battering ram named Grond attacked the Great Gate; it burst asunder as if "stricken by some blasting spell", with "a flash of searing lightning, and the doors tumbled in riven fragments to the ground".

[T 49] The appendices to The Lord of the Rings were brought to a finished state in 1953–54, but a decade later, during preparations for the release of the Second Edition, Tolkien elaborated the events that had led to Gondor's civil war, introducing the regency of Rómendacil II.

[T 50] The final development of the history and geography of Gondor took place around 1970, in the last years of Tolkien's life, when he invented justifications for the place-names and wrote full narratives for the stories of Isildur's death and of the battles with the Wainriders and the Balchoth (published in Unfinished Tales).

Amroth, King of Lothlórien from the beginning of the Third Age,[T 52] left his realm behind in search of his beloved Nimrodel, a Nandorin who had fled from the horror unleashed by the Dwarves in Moria.

Shippey notes that while Éomer is "compulsively truculent", Faramir is courteous, urbane, civilised: the people of Gondor are self-assured, and their culture is higher than that of Rohan.

Meduseld is simple, but brought to life by tapestries, a colourful stone floor, and the vivid picture of the rider, his bright hair streaming in the wind, blowing his horn.

Rohan is, Shippey suggests, the "bit that Tolkien knew best",[23] Anglo-Saxon, full of vigour; Gondor is "a kind of Rome", over-subtle, selfish, calculating.

[23] The critic Jane Chance Nitzsche contrasts the "good and bad Germanic lords Théoden and Denethor", noting that their names are almost anagrams.

[26] Leslie A. Donovan, in A Companion to J. R. R. Tolkien, compares the siege of Gondor with the alliance of Elves and Men in their fight against Morgoth and other co-operative ventures in The Silmarillion, making the point that none of these would have succeeded without collaboration; further that one such success comes from another shared effort, as when the Rohirrim were only able to come to the aid of Gondor because of the joint efforts of Legolas, Gimli, and Aragorn; and that they in turn collaborated with the oathbreakers from the Paths of the Dead.

[27] Sandra Ballif Straubhaar, a scholar of Germanic studies, notes in The J. R. R. Tolkien Encyclopedia that readers have debated the real-world prototypes of Gondor.

[19] Dimitra Fimi, a scholar of fantasy and children's literature, draws a parallel between the seafaring Númenóreans and the Vikings of the Norse world, noting that in The Lost Road and Other Writings, Tolkien describes their ship-burials,[T 54] matching those in Beowulf and the Prose Edda.

[T 56][28] The classical scholar Miryam Librán-Moreno writes that Tolkien drew heavily on the general history of the Goths, Langobards and the Byzantine Empire, and their mutual struggle.

Historical names from these peoples were used in drafts or the final concept of the internal history of Gondor, such as Vidumavi, wife of king Valacar (in Gothic).

Both realms were threatened by powerful eastern and southern enemies: the Byzantines by the Persians and the Muslim armies of the Arabs and the Turks, as well as the Langobards and Goths; Gondor by the Easterlings, the Haradrim, and the hordes of Sauron.

[35] The production team noted this in DVD commentary, explaining their decision to include Byzantine domes into Minas Tirith's architecture and to have civilians wear Byzantine-styled clothing.

Sketch map of Gondor in the Third Age, bordered by Rohan and Mordor
The lifeless White Tree of Gondor has been compared to the Dry Tree of medieval legend. [ 3 ] Medieval manuscript illustration of the Dry Tree (centre) with the Phoenix , flanked by the Trees of the Sun and the Moon . Both the Dry Tree and the Phoenix are symbols of resurrection and new life. Rouen 1444–1445 [ 4 ]
Flag of the Prince of Dol Amroth
Seal of the Stewards of Gondor [ c ]
Bold colourful Rohan, modelled on the Anglo-Saxons (here in an 11th-century illustration), "the bit that Tolkien knew best", [ 22 ] is contrasted by critics with the solemn but colourless Gondor.
Black-sailed dromund ships of the Corsairs of Umbar at Harlond, the port of Minas Tirith , as depicted with a domed building in Peter Jackson 's The Lord of the Rings film trilogy