There were many trips of discovery throughout Greece and the Balkan Peninsula, as well as Turkey, North Africa, and the Mediterranean world.
The encounters with Archaic Greek sculpture and Minoan Painting left deep impressions, above all for their provocative simplicity and essence of line.
His six years in Greece provided a relatively isolated cocoon for research and experimental trial-and-error ; moving steadily closer to a way to flesh out his first personal, near-archaic, works.
Exhibitions in Vienna, Innsbruck, and Rome were held in 1986, and he also began a long-running collaboration with Michael Woolworth publications, creating numerous prints and artist’s books in the intervening years.
The Centre Regional d’Art Contemporain of Toulouse presented the first large institutional survey of his work in 1990.