Topics have included creating an "enemies" list as well as letters addressed to contemporary curators (such as Zach Feuer Gallery), collectors and critics, requesting recognition.

[3] The 2006 exhibition at Platform gallery debuted a drawing of over 300 small head studies entitled Everyone I've ever Met from Memory (That I Can Remember), which Brooklyn Rail critic James Kalm described as a "meta-drawing" demonstrating a level of ambition and commitment to carry out the kind of stoner idea many people have but most would not actually do.

[4] The exhibition also included hex drawings of then United States president George W. Bush and New York-based gallerist Zach Feuer and a fictitious Artforum Top 10 penned by himself.

[5] By this time he had developed a trompe-l'œil technique, rendering pages from magazines as well as sheets of blue-lined notebook paper as if torn from real-world sources and taped to the wall.

These sheets of notebook paper with lists titled "Proposals" and "Reasons" offer a comically distorted worldview that blurs the lines of fact and fiction in an ego-driven celebrity art culture.

"[10] In the bottom left corner, mega-collectors Marty Marguiles, Don Rubell, Charles Saatchi and Eli Broad place bets on a cockfight with miniature representations of Damien Hirst and Jeff Koons.

[14] #class invited guest artists, critics, academics, dealers, collectors and anyone else who would like to participate to examine the way art is made and seen in our culture and to identify and propose alternatives and/or reforms to the current market system.

For example, his 2009 exhibition at Charlie James Gallery drew on Los Angeles-based professional actors, voice talents, and film studios to produce his video "Powhida (Trailer)".

"[20] In the press release for This Is a Work of Fiction at Schroeder Romero, Powhida wrote, "I can't keep sitting around my studio getting drunk and yelling at my assistants forever.

[22] Powhida has been quoted on NPR as noting that "in one single auction, wealthy collectors bought almost a billion dollars in contemporary art at Christie's in New York."