Woman with a Fan (Metzinger, 1913)

A 1914 photograph taken at the exhibition in Prague was published in the magazine Zlatá Praha showing Woman with a Fan hanging next to another work by Metzinger known as En Canot (Im Boot, The Boat), 1913.

[1][2] Donated by Mr and Mrs Sigmund Kunstadter in 1959, Woman with a Fan forms part of the permanent collection in Gallery 391B (Medieval to Modern European Painting and Sculpture) at the Art Institute of Chicago, US.

), representing an elegantly dressed Parisian woman, perhaps Lucie Soubiron, whom Metzinger married in 1909,[4] painted in a geometrically Cubist style with a stylish feathered or plumed hat while holding a fan (visible to the lower right).

The vertical composition is divided, fragmented or faceted into series rectangular and square surfaces accentuated by the flowing curvilinear forms of the models garments and hat.

[4][5] One of the most accomplished works of this period, Woman with a fan "anticipates Picasso in exploring the legacy of Neo-Impressionism: Here Metzinger is almost exclusively concerned with principles of pictorial construction: the interplay of horizontals, verticals and curves, with color playing an important but secondary role.

Three photographs printed in the magazine Zlatá Praha (Golden Prague in Czech), 13 March 1914, for the occasion of the Moderni Umeni, S.V.U. Mánes exhibition in Prague. From left to right: Tobeen , Pelotaris (1912), Constantin Brâncuși , Portrait of Mademoiselle Pogany (1912), Jean Metzinger , La Femme à l'Éventail (Woman with a Fan) and En Canot (Im Boot, The Boat)