Through various activities, including art exhibitions, workshops and seminars, Womanifesto develops networks among participating artists and encourages interaction within urban and rural communities.
[2] "Between 1997 and 2008, the feminist biennial Womanifesto in Thailand sought to create networks in art and activism that enacted gender equity and socio-economic justice at a time when biennials in Asia were taking shape," writes Emily Verla Bovino in Ocula Magazine, reporting on Womanifesto's efforts, as charted by Asia Art Archive in an exhibition in Hong Kong in 2020.
Womanifesto I presented an exhibition held at Concrete House and Baan Chao Phraya (Chaiyong Limtongkul Foundation).
Featuring installations and performances across the park, this edition presented more than thirty participants such as Sanja Iveković, Mella Jaarsma, Sriwan Janehattakarnkit, and Jittima Pholsawek, and it was organized by Nitaya Ueareeworakul, Pantini Chamnianwai and Studio Xang.
In 2001, Womanifesto organizers held a ten-day workshop with a group of thirteen artists, including Lawan Jirasuradej, Yin Xiuzhen, Karla Sachse, and Hiroko Inoue, at Boon Bandarn Farm in Sisaket, in the Isan region.
[4] It was organised by Varsha Nair, Nitaya Ueareeworakul, Phaptawan Suwannakudt, and supported by Office of Contemporary Art, Ministry of Culture, Thailand.