[1] They seceded from the male-dominated Art Workers' Coalition (AWC), prompted by the Whitney Museum of American Art's 1969 Annual (later the Whitney Biennial), which included only eight women out of the 143 featured artists shown.
[3] That same year, the Ad Hoc Committee of Women Artists formed and also concentrated on the discrimination of women in the Whitney Museum's annual survey exhibitions.
[2] These protest efforts led to an increase of women artists at the next Whitney Annual, rising from an average of 5–10% before 1969 to 22% in 1970.
[2][4] In 1971, some members of WAR, along with a group called Feminists in the Arts, created the Women's Interart Center, the first alternative feminist space, where they established a graphics and silk-screen workshop taught by the artist Jacqueline Skiles.
[2] By 1972, WAR abandoned their efforts to change museum policies and focused more on consciousness-raising that concerned the struggles of women artists.