Women in classical Athens

Female children in classical Athens were not formally educated; rather, their mothers would have taught them the skills they would need to run a household.

In most households, women were needed to carry out tasks such as going to the market and drawing water for cooking or washing, which required taking time outside the house where interactions with men were possible.

It cannot be said too strongly or too frequently that the selection of book-texts now available to us does not represent Greek society as a whole.The major sources for the lives of women in classical Athens are literary, political and legal,[3] and artistic.

[5] However, the surviving literary evidence is written solely by men: ancient historians have no direct access to the beliefs and experiences of Classical Athenian women.

Pomeroy writes that since it deals more often with ordinary people than with mythological heroes and heroines, comedy is a more reliable source than tragedy for social history.

[11] Although these sources must be treated with caution because trials in classical Athens were "essentially rhetorical struggles",[12] they are useful for information about the ideologies of gender, family and household.

The first major publication in the field was a 1973 special issue of the journal Arethusa,[18] which aimed to look at women in the ancient world from a feminist perspective.

[19] Lin Foxhall called Pomeroy's book "revolutionary" and "a major step forward" from previous English-language scholarship on ancient women.

[24] Along with feminist theory, the work of Michel Foucault, influenced by structuralism and post-structuralism, has had a significant impact on the study of gender in classical antiquity.

By 2000, a review of books focused on women in ancient Greece published over a three-year period could cover eighteen works without being exhaustive.

[35] In addition to the natural risks of childbirth, the ancient Athenians practiced infanticide; according to Sarah Pomeroy, girls were more likely to be killed than boys.

[36] Donald Engels has argued that a high rate of female infanticide was "demographically impossible",[37] although scholars have since largely dismissed this argument.

[48] The gravestone of Plangon, an Athenian girl aged about five which is in the Glyptothek museum in Munich, shows her holding a doll; a set of knucklebones hangs on a wall in the background.

[68] After divorce, the husband was required to return the dowry or pay 18 percent interest annually so the woman's livelihood would continue and she could remarry.

[70] Hearing that the boy was at my house, he came there at night in a drunken state, broke down the doors, and entered the women's rooms: within were my sister and my nieces, whose lives have been so well-ordered that they are ashamed to be seen even by their kinsmen.

[52] This ideology of separation was so strong that a party to a lawsuit (Lysias' Against Simon) could claim that his sister and nieces were ashamed to be in the presence of their male relatives as evidence that they were respectable.

"[75] The ideal that respectable women should remain out of the public eye was so entrenched in classical Athens that simply naming a citizen woman could be a source of shame.

[84] According to Gould, even Athenian women forced to work outside the home for economic reasons would have had a conceptual (if not physical) boundary preventing them from interacting with unrelated men.

[86] Even the most respectable citizen women emerged on ritual occasions (primarily festivals, sacrifices, and funerals), where they would have interacted with men.

[89] According to D. M. Schaps (citing Cohen), the ideology of separation in classical Athens would have encouraged women to remain indoors but necessary outside activities would have overridden it.

Eva Cantarella disagrees, arguing that both of the Greek words used to denote citizenship, aste and politis, were used to refer to Athenian women.

[97] Josine Blok argues that military and political service were not prerequesites of citizenship; instead, she says, it was participation in the cultic life of the polis which made a person a citizen.

[107] Although Athenian women were formally prevented from participating in the democratic process, Kostas Vlassopoulos writes that they would have been exposed to political debate in the agora.

Once, he says, she criticised Pericles for making war against other Greek cities;[110] on another occasion she pleaded with him not to prosecute her brother Cimon on charges of treason.

R. Walters, for instance, explicitly dismisses the possibility, arguing that without a citizen father a child had no way of gaining entry into a deme or phratry.

The state-controlled Eleusinian mysteries, for instance, were open to all Greek speaking people, men and women, free and unfree alike.

[119] The cult of Athena Polias (the city's eponymous goddess) was central to Athenian society, reinforcing morality and maintaining societal structure.

[142] Women influenced funeral arrangements, with the speaker in Isaeus On the Estate of Ciron explaining that he acceded to his grandmother's wishes for how his grandfather would be buried.

[147] In at least one instance, however, an Athenian woman is known to have dealt with a significantly larger sum[148] and Deborah Lyons writes that the existence of such a law has "recently come under question".

[163] Pornai apparently charged one to six obols for each sexual act;[164] hetairai were more likely to receive gifts and favours from their clients, enabling to them to maintain a fiction that they were not being paid for sex.

Photograph of a funeral stele, depicting a woman with her maidservant.
The Grave Stele of Hegeso ( c. 410–400 BC) is one of the best surviving examples of Attic grave stelae. Beginning around 450, Athenian funerary monuments increasingly depicted women as their civic importance increased. [ 1 ]
The study of women in antiquity was popularised in the 1970s following the spread of second-wave feminism . Simone de Beauvoir was a major influence on the development of second-wave feminism, and examined the lives of women in the classical world in her book The Second Sex
Photograph of a grave stele commemorating a young girl
Athenian girls would have played with dolls as children. Plangon, the young girl on this grave stele, carries a doll in her right hand.
Photograph of a Greek pot, decorated in the red-figure style and showing a woman in a chariot pulled by a team of horses
Marriage was considered the most important part of a free Athenian woman's life. This box, known as a pyxis , would have been used to hold a woman's jewellery or cosmetics and is decorated with a wedding-procession scene.
Though respectable Athenian women were expected to stay out of the public eye, responsibilities such as fetching water from the fountain house on the edge of the agora would have brought them out of the house.
The remains of the bema , or speaker's platform, on the Pnyx in Athens. Athenian women were forbidden from taking part in the Assembly which was held here.
Photograph of part of the Parthenon frieze, showing five girls in profile.
The Panathenaea was Athens' most important religious festival, and the Parthenon Frieze is believed to show the Great Panatheneia procession. In this section, the leading girl carries an incense burner; those behind her carry jugs for pouring libations.
Photograph showing detail from an Athenian vase. A woman leaves a garland on a tomb.
In classical Athens women were responsible for visiting graves with offerings, as shown on this lekythos .