She organized shows like Ho Tzu Nyen: The Cloud of Unknowing (2011), Ming Wong: Making Chinatown (2012), Young Hae Chang Heavy Industries: Pacific Limm (2013), Robert Zhao Renhui: Flies Prefer Yellow (2014).
[6] While at the Kadist, she also participated in shows for other institutions such as the Invisible Hand: Curating as Gesture, the second CAFAM International Biennial in 2014 at the Central Academy of Fine Arts Museum, Beijing for which she was one of the co-curators.
(the show’s title refers to Félix Guattari's "four ontological functors") for the Guangdong Times Museum in Guangzhou and the Yerba Buena Center for the Arts in San Francisco in 2014.
In 2019, she curated Neither Black / Red / Yellow Nor Woman about three women who search for their voices as artists, held at the Times Art Center Berlin, Germany and in 2021, Miriam Cahn and Claudia Martínez Garay: Ten Thousand Things in which both artists evoked in their work shared experiences as women and as witnesses to their generations, held at the Sifang Art Museum, Nanjing, China.
[11] Her curatorial practice has a wide range of interests, among them the impact of globalization, the convergence of art, science, and technology, and emerging ecological and environmental transformations through the lens of feminism, identity, and decolonization.