[5] Pre-Columbian examples may be found on everything from jewelry, masks, ceramics, sculpture, textiles and featherwork to painted murals, codices and architectural elements of buildings.
[1][2][10] The motif is associated with many ideas, and is variously thought to depict water, waves, clouds, lightning, a serpent or serpent-deity like the mythological fire or feathered serpents, as well as more philosophical ideas like cyclical movement, or the life-giving connection between the light of the sun and the earth, and it may have been a protection against death, but no single meaning is universally accepted.
[2][6][9] It is also possible that the motif represents the cut conch shell which is an emblem of Ehecatl, the wind god, an aspect of Quetzalcoatl.
[6] Xicalcoliuhqui chimalli, are shields featuring a single iteration of the stepped fret motif which were painted or covered with featherwork.
[4] They are depicted frequently in the Codex Mendoza, and many other central Mexican codices, usually with the xicalcoliuhqui design shown in yellow and green.