Toyohara Chikanobu

The artist's "real name" (本名, honmyō) was Hashimoto Naoyoshi (橋本直義); and it was published in his obituary.

[1] In his younger days, he had studied the Kanō school of painting; but his interest was drawn to ukiyo-e.

He studied with a disciple of Keisai Eisen and then he joined the school of Ichiyūsai Kuniyoshi; during this period, he called himself Yoshitsuru.

His work ranged from Japanese mythology to depictions of the battlefields of his lifetime to women's fashions.

[7] Chikanobu is a recognizable Meiji period artist,[8] but his subjects were sometimes drawn from earlier historical eras.

[9] The early Meiji period was marked by clashes between disputing samurai forces with differing views about ending Japan's self-imposed isolation and about the changing relationship between the Imperial court and the Tokugawa shogunate.

The greatest number of Chikanobu's war prints (戦争絵, sensō-e) appeared in triptych format.

[17] His signature may also be found in the line drawings and illustrations in a number of ehon (絵本), which were mostly of a historical nature.

In a statistical overview derived from writings by and about Hashimoto Toyohara, OCLC/WorldCat encompasses roughly 300+ works in 300+ publications in 2 languages and 700+ library holdings[19]

Print depicting Yaegaki-hime carrying the helmet of the warrior Takeda Shingen as she dances amid magical foxfires in Honcho Nijushiko . Triptych by Chikanobu.
"The Korean Uprising of 1882" — woodblock print by Chikanobu
gentō shashin kurabe series, Oji no taki
Meisho Bijin Awase series, Matsushima in Rikuzen Province
Asakusa Park Golden Dragon Mountain
Women and girls in Western dress with various hairstyles
shin bijin series:Woman with Western-style umbella and book
azuma fūzoku fuku tsukushi series:Western-style clothing
mitate jūnishi series:Depiction of mixed clothing styles
meiyo iro no sakiwake series:reading a letter
Katamura-rō in the Yoshiwara
imayō tōkyō hakkei series:walking with an escort
A Seated Woman with a Lacquer Candle Stand (c. 1875) by Chikanobu. Wood-block print, 36.2 × 23.8 cm (14.25 × 9.37 in). Collection of Brooklyn Museum.