[1] Originally found in the works of Henry Cornelius Agrippa (1531), Athanasius Kircher, Johann Baptist Grossschedel (1619) and other late Renaissance esoteric sources.
(Also, the "W" can be converted into a "U" or "V", since the Hebrew letter ו waw writes either a [w] consonant sound—later on, pronounced [v]—or a long [u] vowel sound: see Mater Lectionis.)
In Renaissance occultist works, this pentagrammaton (or five-letter divine name) was frequently arranged around a mystic pentagram, where each of the five Hebrew letters י ה ש ו ה was placed at one of the points (the letter shin ש was always placed at the upward-pointing vertex of the pentagram).
[2] One of the earliest attested examples of this diagram is in the Calendarium Naturale Magicum Perpetuum or "Magical Calendar" (published 1620 but dated 1582)[3] of either Theodor de Bry (Flemish-born German, 1528–1598) or Matthäus Merian the Elder (Swiss, 1593–1650).
[4] The idea of the pentagrammaton was funneled into modern occultism by 19th-century French writer Eliphas Levi and the influential late 19th-century Hermetic Order of the Golden Dawn.