Yahshuah

[1] Originally found in the works of Henry Cornelius Agrippa (1531), Athanasius Kircher, Johann Baptist Grossschedel (1619) and other late Renaissance esoteric sources.

(Also, the "W" can be converted into a "U" or "V", since the Hebrew letter ו waw writes either a [w] consonant sound—later on, pronounced [v]—or a long [u] vowel sound: see Mater Lectionis.)

In Renaissance occultist works, this pentagrammaton (or five-letter divine name) was frequently arranged around a mystic pentagram, where each of the five Hebrew letters י ה ש ו ה was placed at one of the points (the letter shin ש was always placed at the upward-pointing vertex of the pentagram).

[2] One of the earliest attested examples of this diagram is in the Calendarium Naturale Magicum Perpetuum or "Magical Calendar" (published 1620 but dated 1582)[3] of either Theodor de Bry (Flemish-born German, 1528–1598) or Matthäus Merian the Elder (Swiss, 1593–1650).

[4] The idea of the pentagrammaton was funneled into modern occultism by 19th-century French writer Eliphas Levi and the influential late 19th-century Hermetic Order of the Golden Dawn.

"A Rosicrucian Crucifixion" showing the five Hebrew letters of the "Pentagrammaton" in the hexagram
Occultistic pentagram showing the five Hebrew letters of the "Pentagrammaton" from the 1897 book "La Clef de la Magie Noire" by Stanislas de Guaita .
Symbol by early 17th-century mystic Jakob Böhme with names of Jesus, and a derivation of the pentagrammaton from the Tetragrammaton.