[10] Min met her father for the first time around age eight, because he had moved to the United States earlier than the rest of the family.
[12] Min's installation work deColonization (1991) was centered around a traditional Korean dress in white with gold lettering, placed near four panels that told the story of women in Korea during the United States occupation and an assemblage of Korean book and clay pots filled with rice.
[4][13] In her 1992 series "Defining Moments", Min photographed herself and filled her form with images of the Gwangju Uprising, which was a 1980 protest by South Korean students against a military dictator that was violently suppressed.
[12] A brain hemorrhage that Min suffered in 2011 informed the works in her 2016 show held at the Commonwealth and Council gallery in Los Angeles.
The works included AVM: After Venus (Mal)formation, which had a table split into triangles, each with its own word written on it.
[12] At the time of her death, Min's work was featured in an exhibition about the Godzilla Asian American Arts Network at the Eric Firestone Gallery in New York City, while works from "Defining Moments" were included in a survey called "Scratching at the Moon" at ICA LA.