You Make Me Want to Be a Man

Self-described as an electronic and dance-pop song, it contains numerous elements including J-pop and techno.

The accompanying music video for "You Make Me Want to Be a Man" was shot in Tokyo by Kōji Morimoto and Kiriya; it features an android-Utada inside of an industrial-cyber utopia.

The Maxi CD version of the single contains three remixes of "You Make Me Want to Be a Man", and the accompanying music video.

[3] A bonus promo package included a separate CD and DVD of the single, and featured unreleased artwork of Exodus.

[3] Utada described the song as "very electro" and "dance-pop" with numerous musical elements including J-pop and techno.

[1][6][7] Lucas Villa from Axs.com deciphered the themes of the track: "Tougher subjects Utada tackled on Exodus included her dissolving marriage to Kazuaki Kiriya on 'You Make Me Want to Be a Man.'

'[8] Several critic publications, including Renowned for Sound, #PopHatesFlops, and MuuMuse, quoted similar aspects of her relationship and feminism views as key themes to the song.

[13] The accompanying music video for "You Make Me Want to Be a Man" was directed by anime director Kōji Morimoto and Kiriya.

"[1] Utada said she was influenced by her Japanese heritage, anime and otaku culture, and Japan's advances in technology during the early 2000s.

"[1] Utada revealed that she shared her creative input with Kiriya because "It's very difficult, but a bit of companionship was exactly what I needed.

Throughout the video, several inter-cuts of archive footage feature heavy use of modern technology and small scenes of human functionality.

[16] As several inter-cuts of archive footage appear, the verses open with another robotic Utada witnessing the small screens with red eyes.

[16] By the second verse, a robotic male companion emerges from a mercury-like substance, and is seen on a rooftop, displaying himself and the cityscape.

The light then turns into a final form of the robotic Utada, covered in shiny gloss and with red eyes.

Utada (pictured) with red eyes, witnessing and absorbing information of human life. The visuals and scenery were critically acclaimed by critics and publications. [ 15 ]